Jennifer Shaw

A writer's musings in the mountains

  • Happy Spring Equinox!

    It’s officially spring in the Northern Hemisphere.

    Ostara, Johannes Gehrts, from Pointy Hat Press newsletter

    Here in the Northeast Kingdom (NEK) of Vermont, temperatures have been in the 50s and 60s, and that means–Hallelujah!– a vast majority of our snow is gone. The ground, though brown and scarred, is visible again, and that’s actually a beautiful thing.

    It’s muddy too. Hello, Mud Season.

    We’ve even had a couple days of blue sky and sunshine.

    All of that means everyone is happy.

    Swinging outside again

    Especially the hens.

    No longer are they confined to a small shoveled area around their coop. The snow melt means they’re able to wander all over the yard now, pecking and scratching, catching flies, and even dust bathing in the sandy pits they’ve dug up against our house.

    Best. Day. Ever.

    Imagine not being able to bathe all winter. Then one day, finally–ah! It must feel amazing.

    The little girls–Susie, Mimi, and Jeanie–were barely pullets (chicken teenagers) when they left their indoor brooder to live outside in the coop. They were nervous out there and didn’t wander much. They were also adjusting to the cold as winter set in and were just getting to know their big sisters. For them especially, the season was a hard one.

    Eggs in our egg rack! Yay! It was empty for so long.

    Now, they’re grown hens. They’re laying eggs, and their confidence is evident in how far they’re comfortable ranging. They follow their only remaining older sister, Doris, all over the place. As their alpha, Doris sticks close to them and seems to have fully accepted them as flock members. They’re one sweet little unit now, and the red hens are thriving. They’ve been so thrilled to have the space and warmth to move about and act like chickens again. Watching them makes my heart happy.

    That’s a gorgeous egg.

    We are struggling with little Daisy, however. She’s the runt of that group, and we had to bring her inside for a few days last week because she had a case of bumblefoot–an infection caused by bacteria (usually from chicken droppings) entering a cut on a chicken’s foot. I noticed it when I saw one of her toes was swollen and discolored. When I picked her up to look at the bottom of her feet, I saw the tell-tale dark spots.

    Infected foot. She wouldn’t hold still so the picture’s not great.

    Inside, we soaked her feet in Epsom salt a couple times each day.

    Foot bath

    When she wasn’t soaking, we kept her in a cat carrier in our bathtub to keep her feet relatively clean so they could heal. The swelling decreased enough for us to feel comfortable putting her back outside, but she’s still not moving around well. Whether that’s from the lingering infection or the Marek’s Disease we suspect she has, I don’t know. She’s always been undersized, with short legs and awkwardly large toes. She’s never had a smooth gait and right now, she can’t even scratch in the dirt. She’s terrified of Doris, who pecks her on the head. She is eating, drinking, and moving in and out of the coop alright, but she’s not ranging with her sisters. Her quality of life isn’t great, and she’s especially vulnerable to predators. I worry we won’t have her very long.

    Keep your fingers crossed for sweet little Daisy.

    In other news, it’s my 43rd birthday on Sunday, and I’m already enjoying all my fun little gifts, which include a lot of bookish goodies.

    These goodies from my parents and in-laws. That gorgeous book on the right is my new All Things Bookish Journal.

    I’m feeling especially grateful, too, that now, in mid-life, I have the time to pursue writing. I am extraordinarily privileged, and I try hard not to take that for granted.

    I shall endeavor to remember.

    What’s the weather like where you are? Do you have any special plans for spring?

    Beautiful picture from their latest newsletter. I am a fan of Pointy Hat Press.

    See you next week, when I do plan to post more about National Small Press Month in the context of being a good literary citizen. I’d wanted to write about that this week, but it’s been a busy one and time’s gotten away from me.

    All my best!

    XOXO,

    Jenn

  • Book Review: ALTERNATIVE LIBERTIES

    On Tuesday, November 5, 2024, I was hopeful. My husband and I had discussed how the presidential election was certainly Biden’s–then Harris’s–to lose, so the Democratic candidate needed to tread carefully and strategically, of course. But surely, short of a serious gaffe on the opposing side, America would not vote Donald Trump in again. Not the man who encouraged an insurrection, among other things.

    Well, we know how that turned out.

    Thankfully, I had a new anthology in which to seek some comfort: Alternative Liberties, edited by Bob Brown et. al. and published on January 20th, 2025 by B Cubed Press, a small, independent publisher out of Kiona, WA.

    Print copy

    Tera Schreiber, a writer friend and fellow contributor from another anthology, made me aware of its publication when she posted on social media about having a piece included, and I’m a fan of hers so I was eager to read her story. I purchased a print copy but didn’t start reading the entire book right away.

    No, it took a solid three weeks of newborn chaos at the federal level to drive me to the entire collection, and I’m so glad I read it in earnest, from start to finish.

    As you might imagine, it’s a collection of mostly short satire and dystopian fiction based on the writers’ predictions of what might happen to our American liberties under a second–and unconstitutionally prolonged–Trump administration. These are not my absolute favorite genres, but right now they are appealing and appropriate, and the anthology does include a few poems and reflective essays as well.

    The collection also features a good range of tone.

    Some pieces are straightforward in their seriousness and tragedy. For example, my friend’s “Seen and Not Heard” is a disturbing tale of two females (one older and outspoken, one younger and yearning for free expression) effectively silenced by their rigidly traditional, patriarchal community.

    Image from Microsoft Designer

    Another, Jacy Morris’s “Little Boxes,” is set in a funeral home in which a grieving, angry mother arrives seeking coffins and arrangements for her children who have died of smallpox, which is back thanks to the federal government’s distrust of established medical science. “Suka-blat” by Robert Walton features a powerful scene describing what might happen to Ukrainian soldiers after the US has withdrawn its support, and “Brown Eyes” by Ell Rodman, narrated by a U.S. Border Patrol protagonist, describes the inhumane effects of unconditional mass deportations on immigrants.

    Image from Microsoft Designer

    Rodman’s story in particular broke my heart; they did the best job truly humanizing their characters, particularly the dynamic narrator, who feels like a realistic, complex man, and that can be tough to do in these genres.

    Other stories are lighter and humorous, which brings a nice levity. “Legacy” by Larry Hodges, in which Trump himself is the narrator, is great, as are “Death of the God Emperor of the Universe” by Elizabeth Ann Scarborough and “Three Patriotic Witches” by Susan Murrie Macdonald.

    Image from Microsoft Designer

    I laughed out loud reading “A Day in the Life of a Freedom Fighter” by Joseph Nettles, who spins a yarn about a poor, ignorant white guy who worships a picture of Donald Trump in his trailer and belongs to a volunteer militia, the “Freedom Corps,” fighting for Trump’s magnificent agenda. The MC and his teammates go about their town monitoring for leftist Deep State propaganda at Walmart and enforcing good American values like free speech in the town square, where they pass out pamphlets titled “How to Spot a Socialist in Your Neighborhood” and “20 Supermarket Products that Directly Fund Domestic Terrorism.” They also practice spotting impure “citizens” at the local playground. My favorite part– during their daily debrief, teammate Karen reviews the group’s social media analytics: “three new followers, all from Armenia, and two angry comments from ‘bots.’” LOL.

    A good number of stories are hopeful and inspiring, too, featuring characters that are complacent, in denial, or just doing their jobs at first, then find themselves committing or forced into resistance. “Sanitation Day” by DP Sellers falls into this category; it’s also an interesting one in that this author made his satire an urban fantasy–the illegal aliens being herded out are not humans but fairies.

    Image from Microsoft Designer

    “Miss Drake’s Lesson” by Lou J Berger, “A Place Before the Storm” by William Kingsley, “Sivilized World” by Elwin Cotman, and most notably “Diminished Horizons” by Adam-Troy Castro also feature main characters either already dedicated to or persuaded into fighting back.

    Castro’s story is the longest and arguably the most brilliant–about an author who’s lost his wife and his hope as the Trump presidency commits “two genocides three years in,” but he decides he’ll just keep to himself in his little sheltered bubble of a house, and that way he’ll be fine. He’s never been a radical, vocal protester, after all.

    “I could only hope that I was too small for them to worry about,” he notes at the beginning.

    But of course, a team of government enforcers visits him one day, and after condemning him to house arrest for possession of subversive materials, they begin, slowly and over the course of many visits, to strip things away from the man’s life. No more online postings or publications. No more books, posters, or art of any kind to sustain him. Eventually, they even wall him in, literally, so he is forced to subsist in just a single downstairs room of his own home. They drug him so he cannot even daydream. In fact, the man is so metaphorically shackled and literally mind-controlled that his beloved dogs almost die because he forgets to feed them.

    Image from Microsoft Designer

    That’s the tipping point that spurs the MC to finally resist, and the story ends magnificently with him stepping out his front door, finally, into a strange, noxious smog, determined to go forward and act no matter what the state of the world is.

    The length of Castro’s story is warranted; it’s magnificently crafted, with a surreal, nightmarish, allegorical quality that is still visceral and emotional enough to make the reader feel like the character and his situation are real. Despite the way the man’s life slowly devolves, and how dismal the atmosphere is throughout a majority of the plot, the MC’s uplifting arc and resolution inspired me. The tale is a powerful reminder that complacency is not the answer, and no one is safe when liberties are systematically squelched.

    That’s the powerful message, truly, of the entire anthology.

    Reading it during such a hard time was cathartic and inspiring, both politically and artistically. Even better, B-Cubed Press is donating a portion of all purchases to the American Civil Liberties Union. As I understand it, this is standard with many of their publications.

    I will admit, this anthology’s treatment of our political emergency is not always the most complex or nuanced, but that makes sense given the exaggerated and hyperbolic nature of satire, and this is a collection of mostly satirical pieces. It’s not a book for everyone, but if you wear a certain lens and you’re looking for catharsis, this collection is a great example of art as inspiration and resistance. Even better, it’s from a brave independent press, and March is National Small Press Month. I’m hoping to write more about that next week.

    Thanks so much for reading. Have you read or watched anything soothing or inspiring lately? I’d love to hear about it!

    If you are a subscriber, you can comment on this post via email; I’m still working on how to make comments available to everyone.

    See you next week.

    XOXO,

    Jenn

  • The Homestretch of Winter

    I am feening for spring.

    Just as much as I was after our first Vermont winter in 2021, when relief coursed through my body as an early spring sun finally brought temperatures up into the forties and fifties, warming my skin, the ground, the chicken coop, the entire world.

    When God turned on the heat.

    Suddenly, being outside was comfortable. Our cheeks and fingers no longer burned. All the irritating snow that made even little things more difficult was gone, thankfully. I’ve realized snow can lose its magic once the holidays are over.

    This winter has been no easy ride either, as I mentioned last week, so I’m ready for it to end.

    A nearly bluebird day means there’s hope!

    We’re close. It’s March, daylight savings happens at 2 am this Sunday, and the spring equinox will occur on Thursday the 20th. This week, we’ve had temperatures in the forties during the days, and the woodstove has stood unlit. A significant amount of snow has melted, though we’ve dealt with flash freezes overnight, making things rather treacherous in the driveway.

    Ice rink
    Strapping on the crampons to make my way to the coop

    Let me clarify–true spring won’t be here for a while. Not until mid-May, which makes for the shortest season we have. There’s still mud season to get through, that ugly, dirty-as-hell transitional period when everything is bare and brown again, but with way more muck and sans the magical anticipation of Christmas, as you have during stick season. But, my God, I’m so ready for temps to remain above freezing.

    My spring fever was evident when Daphne and I accompanied my husband into St. Johnsbury on Monday, when Daph was still on her February break from school. Jer had a barber appointment, and we all needed to get out of the house. While hubby had his head shaved and his beard shaped, Daph and I wandered around downtown. Our first stop was the local bookshop, Boxcar and Caboose. I don’t go in there often because, well, it’s dangerous for my wallet.

    This was a perilous visit. I told myself I’d let Daphne pick something and I’d just look for myself, but I was seduced by the Local Authors and St. Patty’s displays, and I ended up spending $85.

    I purchased two fairy books, among others

    I’m excited to delve into the Celtic tales. I’ve developed an interest in Wicca since we moved to the countryside and began experiencing four distinct seasons. With that has come a closer relationship with and appreciation for nature, hence the interest. That interest, in turn, has made me more curious about mythologies, subjects I’m not all that well-versed in, I’m ashamed to admit.

    I’m also hoping both these books might inspire an idea for a sweet little fairytale, maybe even one set here in Vermont. Something I might be able to submit to a specific magic anthology come May.

    I’d already been eyeing The Still Point by Tammy Greenwood, a Vermont author, so I went ahead and pulled the trigger on that purchase.

    VT author

    This looks like a nice piece of women’s fiction, and being about ballet, it was especially alluring.

    Backcover for The Still Point

    I danced seriously when I was a kid, even attending a performing arts high school for a year, and I still have a deep and abiding love for this artform.

    Daphne did indeed choose something: How Do Dinosaurs Say Goodnight? by Jane Yolen and illustrated by Mark Teague. Lately, she’s developed an interest in dinosaurs, and she’s loved this new book. We had a fabulous time reading lots of books over her break, actually, which was awesome.

    Cute book, and I’m a Yolen fan

    Curling up with good books is something I’m craving right now, given the state of everything. Our bouts with illness threw me off my reading track and now I’m way behind on my TBR, but no matter. I’m working on finishing an anthology, Alternative Liberties from B Cubed Press, and plan to post a review here next week. Up next is a historical romance, Love and the Downfall of Society by Melinda Copp, which I’ve been so eager to read.

    On the writing front, I’ve definitely settled into learning mode as I’ve “kept the channel open,” to quote Martha Graham. I’m halfway through my eight week course with speculative fiction author Erin Swann, The Story Beneath the Story, learning all kinds of techniques for digging under the surface to craft implicit, emotive meaning.

    Not sure why it says I’ve completed 0% ???

    We’ve learned techniques like third level emotions, negative space, I am/am not statements, character-infused voice, preventing skimming, infusing something ordinary with deep thematic meaning for a character, etc.

    Some of these are things I’ve already done instinctively in my work, but it’s been wonderful to learn the psychology/rationale behind them and to add more to my toolkit. Much of what Swann teaches comes from Lisa Cron and Donald Maas, who argues, “You are not the author of what readers feel, just the provocateur of those feelings.” That’s been a fresh and fascinating perspective for me, and one that’s challenged me to let go of my desire to hammer home takeaways in my stories. I can craft certain meanings/suggestions intentionally, of course, but ultimately the piece is subjective, and readers need to make more meanings on their own.

    Even as a writer–the goddess of my little universe–I cannot be a control freak, it seems. I need to trust my readers a little more than I have.

    Learning mode has also meant I screwed up the courage to submit a short piece of contemporary literary fiction to a consultant at Black Lawrence Press. She will provide a detailed, high-level critique of my story, which I need because I love literary fiction but I’m not great at it, and this story was falling flat. I’d thought I might submit it to various lit mags, but I couldn’t do that until I knew how to make it better, and I was well beyond the point of self-editing.

    I might still refrain from submitting it anywhere, even after I revise based on my review, but I figured the evaluation was another fantastic way to keep learning and improving. Furthermore, I liked the consultant’s philosophy: it’s not about the weaknesses in a piece, but about what should be added, removed, rearranged, etc. Until it’s published, all work, she argues, is in potentia.

    Photo from Unsplash

    I want my focus this year to be on learning. Even if that means I don’t publish as many pieces as I did last year. I want to level up my craft while also completing a second longform manuscript, and that feels like a nice tie-in with the season.

    Fresh takes, new beginnings, growth.

    Photo by Aniket Bhattacharya from Unsplash

    I’m still working on a few short pieces. In fact, I just started a new spicy horror satire which I’ve been workshopping in Swann’s course, and it’s been a blast so far. If I can get the tone right and actually pull this off, I might submit it to a small horror press at the end of April. They’ve put out a submissions call for a spicy monster anthology. Go ahead and laugh because, yes, it’s ridiculous. But it also sounds fun.

    Photo from Microsoft Design. Quick disclaimer–I would NEVER use AI imagery for anything other than fun in these posts. I would NEVER use it for a book cover, marketing, social media, etc.

    However, despite this new WIP, I don’t want to make short fiction my focus.

    What are you up to? How’s the weather where you are, and what do you want to focus on this season?

    By the way, if you want to like or comment on this post, please be sure to click on the hyperlinked title (if you didn’t already), and you’ll be able to engage at the bottom as usual. The format of this WordPress theme is a bit different from the first one.

    Thanks so much for reading! See you next week. 🙂

    XOXO,

    Jenn

  • Joy in Small Things

    We’re only 39 days into this presidential administration and it feels like 180. To say it’s chaotic and unnerving is an understatement. I realize Trump and his people are “flooding the zone,” and the chaos is strategic; not everything he says is legitimately dire. It’s exhausting parsing the chaff from the truly dangerous, however, and even if we’re not driven directly into a Constitutional crisis, I worry about the long-term damage some of this will inevitably do as he and his billionaire oligarchs attempt to pull off the biggest grift in American history.

    I’m most concerned about his cuts to Medicaid and his gutting of the Department of Education. Our daughter has Level II Autism Spectrum Disorder, and we’re nervous about the fate of her services and the future of children like her all over America.

    Kiddos like Daph need Medicaid funding for things like therapies and assistive devices

    Adding to the political anxiety is all the illness we’ve dealt with in our household. I described our bouts with norovirus a few weeks ago, and then on Valentine’s week, we all came down with COVID. That wasn’t as acute as the stomach bug, but it definitely lingered for a longer time. Even after my fever was gone, I was weak, coughing, and lacking an appetite. My poor husband, the last one of us to show symptoms, is only on about his third day of feeling normal again.

    To top it all off, we’ve dealt with a true Vermont winter–temperatures continually below freezing, with several nights in the negatives and lots of snow. We got spoiled the last two years by mild cold seasons, but this one’s no joke, and it’s kept us nearly housebound.

    So much snow! And don’t let the pretty picture fool you–that wind has a bite!

    It’s really no fun, when you’re feverish and just want to sleep, to clomp through thigh-deep snow, your fingers burning, in order to care for your poor, freezing chickens. And of course, these temps mean I have to go out there at least twice a day to change their water. Otherwise, they’re stuck with a frozen water bowl.

    Poor babies. They’ve fared well, all things considered.

    Doris, our oldest hen, is over it

    It’s even been too snowy for outdoor play. When I took Daphne out on a sunnier, milder day, all the white was too thick to sled easily, and we both got tired and trudged back inside, pulling a forlorn snow tube behind us.

    The chair is for scale–you can see how deep the snow is

    Alright, I’m done whining. I’m sick of complaining, anyway.

    To fight a perpetually foul mood, I’m working on noticing when little things jolt me into joy.

    I’ve had a fair number of these moments, I’m happy to add.

    First, I’ve found a few new eggs inside the coop nest boxes. Apparently, our pullets are no longer teenagers as they’ve begun laying lovely brown eggs.

    That thrills me not just because of the price of eggs, but because it means we’ve succeeded in nurturing these little girls into young adulthood. They’re like our pets, so it’s gratifying to see them grow into healthy hens, despite the frigid weather.

    A first egg is always special

    Looking at that treasure in our kitchen egg stand, which has stood empty for so long, makes me warm and fuzzy.

    Second, Valentine’s Day was as nice as it could be, given the circumstances. My husband spoiled me with the Chocolate Tower from Lake Champlain–three tiered boxes of their signature chocolates and truffles, along with their special chocolate frog (who’s too cute to eat) and a gorgeous rose and carnation bouquet from a local florist.

    So many sweet things!

    We also enjoyed giving Daphne a Mylar balloon and a cookie cake with lots of icing, since there were no Valentine cupcakes to be had at the local grocer, and seeing her excitement at these simple things. Topping off our array of V-Day sweets was a box of gorgeous dipped cookies from my wonderful in-laws.

    Largest box in the Lake Champlain Chocolate Tower
    Choccy Froggy

    Everything has been delicious. I definitely regained the few pounds I lost to illness, and that’s okay.

    My Valentine’s festivities included sharing my novelette, “Flight,” on this blog.

    Canva design using Audubon picture from Unsplash

    I was pleased with its warm reception, and I truly appreciate everyone who took the time to read even just one part of it. Thank you for your support! I plan to share similar pieces here in the future, pieces I feel good about but would probably struggle to have published anywhere else.

    Third, I’ve loved seeing how affectionate Daphne has been, and how well she continues to use her “talker,” which is what we call her augmentative and alternative communication (AAC) device.

    Basically, AAC is any type of system that facilitates communication for limited or nonspeaking people, and Daphne’s form is the communication application TouchChat that she uses on a speech-and-music-dedicated iPad.

    Daphne was very clear today about what she wanted

    If you’d like to learn more about AAC, you can check out this page with links from The American Speech-Language-Hearing Association.

    As I’ve basked in the joy of these little things, I’ve also had the urge to cocoon in our home, a feeling not dissimilar to the one I had during the COVID quarantine, when everything was suddenly so uncertain and we all just wanted to hunker down. Now, I want to turn inward again, reading, writing, and avoiding the cesspool my Instagram feed has suddenly become, thanks to Meta firing most of their human moderators and instead letting AI push out nasty, indiscriminate content that, I’m sure, is getting them record-high engagement. After all, there can be something enthralling about the grisly, right? On my feed, it’s been these random AI-generated reels showing humans cleaning barnacles off various sea animals. The videos are asinine and quite literally make me break out in hives, but I admit it’s hard to look away from them. It’s like repulsive ASMR, and the reels keep coming. Ugh.

    So, I’m on the verge of deactivating my Meta accounts and shifting to BlueSky and possibly Substack, though I’m absolutely keeping this WordPress site, my homebase and something I’ve grown to love. You might have noticed it got a bit of a facelift, too, and I plan to keep tweaking it. That’s something else making me happy.

    So for now, I’m nesting here at home, making our little sphere as cozy and controlled as possible. In that spirit I’ve been doing some cleaning and reorganizing, particularly in Daphne’s room, and that always feels cathartic.

    How are you feeling, and what are you up to? Reading or watching anything good? We loved the limited series Shogun, by the way. A nuanced, beautifully-restrained, and overall fantastic historical drama. If that sounds like your thing, check it out.

    Shogun image from Rolling Stone

    See you next week!

    XOXO,

    Jenn

  • FLIGHT: A Novelette (Part III)

    Read Part I here.

    Read Part II here.

    Part III: One Year Later

    William and Alva Vanderbilt’s Fifth Avenue residence, “Petit Chateau,” in Midtown Manhattan.
    From americanessence.com

    February 14, 1897

    One year after the disappearance of Katherine Williams

    New York City

    The day was as heavy as Molly had feared. It reminded her that, although time moved forward, that progression was hardly perfectly linear. No straight, smooth arrow. Rather, it felt like hundreds of smaller, circular links. An awful chain that looped back on itself repeatedly, even as it spiraled forward in agonizing slowness.

    That day, no one could escape it. That noon, no one had words precise enough to capture, let alone assuage, that agony of the Williams household. It was a pain that extended below even the stairs, beyond the white-tiled, copper-potted kitchen and into the dim, claustrophobic servants’ nook. There, in that slow hour after morning duties and before luncheon, many of the staff congregated, drawn by a need to share the collective burden.

    Above them leered a low-burning gasolier. Before them were set vegetables and well-seasoned meat, but no one had much appetite.

    “Did anyone see today’s headline?” Peter, the kitchen boy, asked.

    Some heads nodded, others shook no. Stirring her coffee, though she’d added no milk or sugar, Molly kept her brunette head still.

    “ ‘On Anniversary of Heiress’s Disappearance, NYPD Maintain Case is One of Missing Person’,” read the assistant chef, after slipping the day’s paper out from beneath his plate, unfolding it gravely.

    “Sly,” said Peter wryly.

    Hargrove, the butler, cut his eyes at them both before resuming his futile occupation with a set of lists.

    “I can’t believe the police have kept the body quiet all this time,” Peter continued. He snorted. “Mr. Williams must have paid them handsomely.”

    “Enough,” said Mrs. Mason, the housekeeper, setting down her fork. “We none of us know if that was actually Miss Katherine, it was rotted so badly. And, as far as the public is concerned, that body was never dredged from the reservoir. Remember that.” Her brows shot up at them all in a look that rivaled her mistress’s, in those former days of Miranda Williams’s powerful household reign.

    It was a good reminder, Molly thought. All the servants had been forced to sign legal agreements to remain permanently silent about everything related to Katya’s disappearance, on pain of being fired and sued in court for all they had. It had worked, but they’d signed those papers almost a year ago. One day after Katherine vanished, when her parents hired a lawyer, no one else, to help them manage the emergency. The Williamses rarely spoke of the agreements, so it was possible to forget what a powerful threat they were. But those legalities, however silent and invisible, hung over them all like an enormous, fatal net, and they had no expiration.

    Molly herself had fantasized several times about escaping that net. Of quitting her work for this family altogether. However, from the week Katya disappeared, and just a day after their guest, the Earl of Worcester, fled their household for the sympathy of the Rockefeller parlor (claiming only that he’d been jilted), Mrs. Williams had insisted Molly remain. Despite her threatening tone, she’d given Molly a new position and a substantial raise, and Molly had borne it. To do otherwise would have raised even stronger suspicions, and she could not allow that.

    The head chef now shook his thick gray head. “I’ll say it again. It was a crime they waited so long to report her missing to the police. All that time they spent handling it on their own, all those weeks they denied it to their friends, to the world that she was missing. Maybe, if they hadn’t been so concerned with scandals, appearances…”

    He didn’t need to finish; they all knew the rest. Katya would still be alive. The officials would have tracked her down, rescued her, and prosecuted the people responsible. Or, at the very least, verified that darkest of possibilities: that she was in fact dead.

    The uncertainty was torture, and not at all helped by the false sightings and fraudulent ransom notes that poured in once the Williamses finally made their daughter’s disappearance public. It was killing her parents, particularly her mother.

    Molly now worked as a second lady’s maid for Miranda Williams, and she’d born witness to the ghost Mischa had become—chronically ill, unable to stay out of bed a full day. She no longer attended social functions, was no longer any kind of real member of New York society.

    “Please, Mrs. Williams,” Molly pled on a regular basis. “Come sit at your vanity so I can brush your hair.”

    Often, the woman kept her ashen face turned into her pillow, her once-rich mass of dark locks knotted and dull on the pillowcase, the roots shiny with grease.

    “Can you at least sit up please, ma’am?”

    Nothing.

    Molly’s work no longer required any real labor. She was paid to plead with her mistress for as long as Mischa would tolerate it before she dismissed her.

    Mr. Williams kept away from the house. He either quartered in his office or spent long weeks hovelled up in his hunting lodge on Long Island. House rumors were, he was planning a long journey overseas, without his wife.

    “Maybe that body truly wasn’t Miss Williams’s,” said a chambermaid, her voice wavering, pulling Molly back into the present.

    “Who else could it have been?” asked the assistant chef, gesturing with a fleshy hand.

    “Dozens of others!” shot Mrs. Mason. “Any number of prostitutes, or drunken beggar women, or some poor girl who crossed paths with the wrong person, some wicked sinner like that depraved Jack the Ripper over there in Whitechapel, in London… Not our Katya, who was alone for such a short while. How is it possible someone snatched her in just a dozen feet of sidewalk?”

    “That friend of Mr. Williams’s told the papers, ‘We New Yorkers rarely notice much,’” said the assistant chef.

    “Phfff!” retorted the housekeeper. “What about the way she was dressed—that Doucet gown and that gorgeous sable coat? Her hat, her muff? Someone would have noticed a killer wrestling with a woman that well-dressed. And the snow? There were no tracks. I don’t know what happened to her, but that wasn’t her body.”

    “Yet,” said the butler, finally drawn in, “She’s most likely dead, isn’t she? Even if that wasn’t her corpse, remember how nothing was missing from her rooms? Where was the evidence she was running away? No clothing or jewelry gone except for those pieces she wore, no other items taken, no charges to her family’s account…” He stabbed the tabletop with his pencil. “What else could have happened, except that someone got her, somehow?”

    Silence thundered over the small, dim nook. Molly’s face flamed, the walls shifting around her.

    No. She willed her body to coolness and passivity, though the truth burned in her throat.

    Keep to the script.

    As usual, everyone’s eyes fell on her. She’d been closest to Miss Katya; she was the last person with her. Always, sick to her stomach, Molly maintained the same story. She’d stuck to the engagement plan: After the family carriage left the park, heading back to the Williams residence to take the men to the luncheon, Molly stayed behind as instructed, not far, while Miss Katya made her way around an empty curve in the sidewalk, toward the place where the earl waited a few hundred feet out of sight. This was the scene the lady wanted to enact for the sake of the occasion, Molly repeated, and she had just done Katya’s bidding. Mrs. Williams would have been there to escort her daughter except she’d gotten so sick the night before.

    House rumors flew about that, too. About the bottle of arsenic found misplaced, as if taken from the housekeeper’s cabinet and not put back properly… that someone had poisoned Mrs. Williams with a very small dose… But not a word about that was ever breathed to anyone outside the Williamses’ front door. No one even made a peep about it to the private investigator.  

    Now, fighting the urge to grip her cup, Molly looked cooly at them all, despite the phantom flames engulfing her. Just as she’d looked steadily, first, at the Williamses, then the lawyer and private detective with their cold, penetrating eyes, and, later, at the police. Innumerable times.

    “You know my story,” she said, and sipped her coffee. Miraculously, the liquid made its way down her throat.

    “Enough, ENOUGH!” snapped Mrs. Mason. Everyone jumped.

    That was the end of it.

    It hurt too much anyway. It oppressed them all.

    Guilt was an insidious thing, and it snaked its way through even that lowest floor, affecting everyone with a strange, illogical sense that they were in some way, somehow, culpable too.   

    But that afternoon, a “household errand” compelled Molly beyond Fifth Avenue. Wrapped tightly against the cold, the sturdy Irishwoman traipsed deep into another part of the colorless city, tiny as an ant among the looming buildings, to the postal box where Miss Katya had sent her secret letters.

    Their agreement had been that Katya would keep the box and, if she could, mail a signal to Molly. Something letting her know she was alright. That had been Molly’s one iron-clad condition, when she’d finally agreed to aid the Williams heiress who was also her friend.

    One of her few friends, given that Molly was a childless widow, her own siblings, nieces, and nephews long moved away. She had worked for the Williamses her entire adult life and watched little Katya grow up. Had heard her play that piano, in all those stolen moments when Molly lingered, unseen, in a doorway of the ballroom. Those lush, trilling notes had soothed Molly’s loneliness. Relieved that soul-crushing doldrum so that even she—raw and common and thick-limbed as Molly was—could fly for a time above hair pins and corsets and endless sorting and mending, escaping that erosion of spirit that was born of meaninglessness without end.  

    The first time she experienced it, something broke open inside Molly’s chest—a spill of molten gold so powerful, so saturating she brought a hand to her bosom. Her arms and neck had prickled, and her eyes welled as Katya’s passionate playing lifted her up.

    Up, through something sublime.

    Though Molly sometimes doubted the existence of God, that moment was precious evidence, for Katya had channeled something directly from Heaven.

    It united the two of them. Every distinction that had ever stood between them, every difference and delineation, of class, culture, education, that had felt so real, so cast in iron, melted away. They were simply two human beings transcending themselves together in a moment of silent, ecstatic joy.

    That had been it, what made Molly decide. No one deserved to live in a cage. Certainly, not this gifted young artist, even if her captivity was beautiful and safe.

    At what price?

    Some things were too expensive, even for a Williams.

    And so, Molly and Katya had begun to strategize. Formulating the most careful of plans, minute and thorough in all the logistics: a wardrobe change, the right kind of heavy cloak and hat, the best errand boys (ignorant of and unknown to the family) who Molly could bribe to dispose of certain packaged garments. A train ticket west for a 1:00 pm departure, sharp.

    But, Molly had her condition. She would help her, but Katya had to let her know she was well. After that, Molly would burn the evidence.

    “I cannot live without knowing,” she’d told her young mistress. “Don’t ask that of me.”

    Molly had found a way, somehow, to check that box every other week for nearly a year. For 364 days, there had been nothing in it—no letter, no parcel, no object, no cryptic, bare-boned message. The mounting silence had stolen sleep from the servant, robbed her of her appetite, forced her to her knees every night to ask God’s forgiveness for her part in it all.

    Especially after the private investigator located Henry Bauer in Athens. Searched his house, interviewed his colleagues, all of which yielded no sign of Katya. Worse still, when the police looked for him too, months later, and discovered he’d resigned at the end of the spring ‘96 term and gone somewhere unknown. Molly knew all of that only because the housemaids were adept at eavesdropping.

    Yet, something had told Molly not to confess. To wait, have faith, and give Katya a long, solid chance. Molly would know in her heart when it was time to give up.  

    Today, she’d decided, was the final day.

    If nothing were there, Molly would cease checking that box. She would accept that Katya was very likely that body found in midsummer, weighted down in the water. For it had been a dark-haired female, and the exact length of Katya’s height. Molly might even go straight to the police and suffer whatever the repercussions would be.

    Swaddled in a wool shawl and wearing a worn toque hat that covered her ears, Molly trudged her chilly way through the bustling streets, invisible to the swarm of chortling or tight-lipped pedestrians concerned only with themselves. Amid stinks of manure and rotting trash ripe despite the day’s bite, she found her way to the freestanding metal box, one of many that had appeared on the city’s streets over the years.

    This one stood shadowed in a back alley littered with dirty snow, surrounded by chipped red brick. It never saw the sun, obscured as the rays were by the buildings.

    At the alley’s grim entrance, Molly paused. She might put this reckoning off. Might go on telling herself Katya needed more time. Might continue her same routine, trapped in that circle under Mischa’s net, the guilt eating away at Molly more than any boredom or forlornness ever had.

    She stepped into the dimness. Feeling more than seeing, it was such a familiar movement, Molly slid the skeleton key into the postal box’s lock. She turned it; the square door opened smoothly.

    Forcing herself not to squint—for desperation scared away luck, didn’t it?—Molly saw, instead of darkness, a tease of white. An envelope, its face nearly blank. No return address.

    “My shockin’,” she whispered.

    She tucked the envelope inside her shawl. She locked the box again and left the alley, making her steady way to a little café in a safer yet modest part of town where, in rare private leisure, she sometimes liked to have a meal.

    At a table in the corner, she sat down, pulling the toque from her head and the envelope from her shawl. Heart banging against her breast, she slit open that piece of mail with an icy, trembling finger.

    Inside was a single creased sheet of…something. When she unfolded it, she saw the top had been snipped off. One side had butcher’s paper glued over it, as if to hide whatever was beneath it. But on the other side was… a list?

    It took Molly a minute to decipher it. Though printed in a foreign language—German?—it looked like a list of musical instruments and their players, with a single name and title at the very top.

    The sender had considerately circled the two most important names. In the margins, they’d translated the odd words into English.

    The name and title at the top: Harry Percy, Conductor.

    Farther down, Kate Percy: Piano.

    Beside the top name was scrawled a short note: Isn’t that a good joke? His idea, not mine.

    And then: All my love, always.

    Molly’s head shot up. Her eyes streamed. A massive phantom weight, one she’d grown so used to she’d forgotten it was there, lifted from her shoulders. In fact, she felt herself rising entirely out of her body.

    She gazed out the café’s large picture window. She dared not study the note too closely. What if the words dissolved? Or morphed into something else, the way things did in dizzying nightmares?

    Outside, the sun sliced through the winter clouds, casting the street in an incandescent gold.

    Molly dropped her eyes to the note; the message did not change. She lifted her gaze once more, her chapped cheeks damp.

    A bird landed lithely on the ledge of the café’s window, peering through the glass at the customers inside. Molly couldn’t see its color well, but she imagined it was green and yellow.

    Yes.

    And now she, Molly, could go too.

    Perhaps to Pittsburgh, where her youngest sister lived with her large family, toiling as a seamstress. With all those generous wages Molly had hoarded, she might help them. Now, she might make a difference for them too, as Katya had for her.

    Yes, she thought. Yes, yes.

    You brave, wonderful woman.

    All my love to you, too.                                                        

    THE END

    Image by Audubon from Unsplash

    Happy Valentine’s Day!

  • FLIGHT: A Novelette (Part II)

    Read Part I here.

    Part II: Secret Correspondence

    Photo from Unsplash

    October 17, 1895

    Four months earlier

    Dear Henry,

    My hand trembles a little as I write this. You assured me, however, your “marvelous Miss Katya,” that I may always write to you, and so I am taking you up on your kind offer. I know letters will never be like our wonderful conversations, but they are certainly better than this dearth in communication.

    I hope you are settled into your position at the university. What is Athens like, there in Ohio? Quieter than New York I suppose. I imagine you can hear the birds chirping through your open window. I envy that. Even in our Newport summers, in our cottage standing just above the mighty sea, I feel more removed from nature than I’d like, surrounded by that high iron fence. Are you still playing the piano in your free time? I hope your wrist is better. I asked Molly, my lady’s maid, if she knew of anything to soothe your aching joint. She recommended green tea. Please try it, if you’re in need.  

    I miss our lessons together. I still do my finger lifting exercises, and when I “play the hell” out of Chopin, I smile at the memory of Mother balking at your language. Goodness, that first lesson was such fun! Lucky for you, your sterling reputation as the best instructor preceded you—eccentric and irreverent as you were in your odd clothes and spectacles—and you proved remarkable in your abilities.

    And, lucky for me, Mother didn’t realize how badly I desired those lessons. Had she known, she might have refused them on principle. She never wants me distracted.

    I hope to hear back from you. If I do not, I understand. I know you are a busy man, and I am just an awkward girl. Thank you for letting me write to you.

    Your friend,  

    Katya

    November 7

    My friend Katya,

    Don’t be so hesitant and deferential! We are friends for sure, and I was thrilled to receive your letter. I sit here now answering it as fast as I can, despite this damnable wrist, and I found your suggestion of green tea so sweet that I procured some as soon as possible. I’ve been enjoying a cup a day; it makes me think of you.

    I am settled, though my teaching and conducting load is heavy. I do miss playing with the New York Philharmonic. I miss my pupils, too, particularly you. Had those wrist pains never developed, I would have played away my entire life, performing at Carnegie Hall by night and teaching piano between rehearsals to the city’s richest daughters by day. This work is harder; it comes with greater responsibility. It’s lonelier too. But we must all grow up some time, mustn’t we?

    I’m afraid you will face that too, sooner rather than later. You’re no awkward child. I only hope you’ll find yourself in a happy situation. Promise me, you will always play your piano. I’ll say it again, since you never seemed to believe me. You are genuinely talented. You can’t imagine my pleasure when, that first day, I heard for myself your excellent rhythm and timing, the nuance in your dynamics, and your ability to interpret the sheet music with such emotion. All you ever needed from me were pointers on technical proficiency. You brought me the easiest wages I ever earned, and the greatest pleasure in that line of usually tedious work.   

    Don’t forget that and nurture your gift the best you can. If circumstances stifle you, let that knowledge, and your playing, be the little bird in your heart. 

    Write back to me soon!

    Affectionately, 

    Henry     

    November 23

    Dear Henry,

    Your reply made me the happiest I’ve been since our year together. Upon reading your assertion about my talent (why is seeing it in writing more powerful than hearing it?) I went straight to the piano and played my most passionate Chopin, the Waltz Seven in C Sharp Minor. I played those gorgeous, cascading notes just for you, at a faster tempo of course, as you advised.

    I blush as I write this but, you make me feel like a magical creature. Like one of the sylphs the music evokes. Despite all my deficiencies—my small features, my dark hair that lacks Mother’s luster, my awkward manner in conversations, I could go on—your words make me feel exceptional. They always did. That is part of your gift as a teacher, and a wonderful quality you have as a man.

    A lot has happened here. On the 6th of November, my parents, brothers, and I attended Consuelo Vanderbilt’s wedding to the Duke of Marlborough. It was the most grandiloquent event I’ve ever seen. I will not bore you with the details but suffice it to say, Mrs. Alva Vanderbilt quite outdid herself. What I found more interesting than the ceremony was watching my mother’s expressions. She absorbed everything with a frightening avidity, especially Mrs. Astor’s procession down the aisle as the guest of honor. It only confirmed for me what I suspected Mother was already plotting. She desires entrée into European nobility, too. After all these American and European alliances—Jennie Jerome to Lord Randolph Churchill, Consuelo Yznaga to the Duke of Manchester, and now poor Consuelo V. to Marlborough—she sees this as the surefire way we will also get accepted, fully and finally, into the circle of the New York Four Hundred. You might not have realized this, but our position now is peripheral and tenuous at best.  

    My mother would detest me sharing this with you, a “lowly” piano instructor, but you ought to know it. How much she wants to be connected to European nobility to be accepted by the nobles of America. It is humorous, is it not? And the absurdity only extends to the fact that she herself is the daughter of a dvaryane! Or so she’s always claimed. Her own father, she insists, was a member in the Assembly of the Nobility back in Mother Russia.

    This is a point of pain for me, in truth. I have heard on more than one occasion, from other girls in my dancing group at Dodworth’s, that their parents say my mother was no such thing. No daughter of a Russian noble. That, in fact, she was a Mariinsky ballerina in St. Petersburg, and that she bewitched my father during his year abroad. Which made Mother, in essence, no more than a courtesan. When I asked Molly exactly what ‘courtesan’ meant (though I had a good idea), she went red as a tomato and explained as delicately as she could. Of course, I did not tell her the term had been applied to Mother. She would have locked her jaw tighter than a vault.

    Do I believe it? I don’t think so. I don’t know. Mother has never shared details of her parents or her life back home. My grandparents never come to visit; they do not send letters. Father never talks about his and Mother’s lives before their marriage, though to be honest we’re not in their company often, so my chances of hearing many details are few.

    But this rumor, even if it’s only such, is yet another social obstacle, compounding the difficulties inherent in our paternal grandfather’s background. Even Father admits he was just a coarse man who owed a large portion of his success in oil and steel to stubbornness and luck. It’s problematic, Father agrees.

    The way they all speak! As if we are just mangy curs.

    Anyway, it was then, at Consuelo’s wedding, that I began to suspect Mother intended for me to marry an aristocrat too, for I am the only one who can do so. I imagine how you would joke—”What, your beautiful, ferocious mother not snag a noble for herself?! Is there not a more naturally regal woman than Mrs. Miranda Williams?” But ah, there’s the “Mrs.” bit, and Mother loves Father. I know that because I’ve caught them in tender moments. Even now, I sometimes enter Mother’s morning room, quieter than a mouse, and find them entwined in a passionate kiss. Though awkward, this also fills me with optimism. I hope that when I do marry, I will have for myself what Mother and Father have found in each other.

    I am unhappy, I admit, even though it’s nearly Christmas. My suspicions about my mother’s intentions were confirmed when she announced (just after I received your letter) we would soon host a special guest, the Earl of Worcester from England. My parents met him briefly on our trip to London last spring, just after my debut. He has been with us for a while now, and you would not believe how Mother licks his boots. She does so with “dignity,” of course, and in the most elevated and careful language, and her own English is now nearly perfect. But her behavior is so obvious it mortifies me. Dear God, the way she shows him off at parties, like he’s the most well-studded sporting dog (I will not compare him to a Thoroughbred; he deserves no such flattery). We’ve already thrown two of the most expensive dinners ever, and Mother is planning a massive Christmas ball in his honor. She’ll padlock me to Worcester’s arm the entire night, I know it.

    The earl is a skinny, sallow man, not terribly tall, with an oversized mustache. He is kind enough, but he looks at everything, including me, with a detached appraisal that shifts to boredom, then preoccupation, then fatigue. Often, he looks melancholy, and he downs more hard drink than even my elder brother. Mother makes me sit on his other side at dinners, and we force our way through stilted conversations. She makes me play the piano for him, too, but he looks through me, smiling smally and occasionally nodding. He claps politely, says “Excellent,” but only ever sounds indifferent.

    If we marry, he will not be a kindred soul.

    Such souls are rare. It is not often that we meet one.

    I hope, in Athens, you will meet one. She should be a kind girl, the sister of a colleague perhaps, who also plays the piano and will make you happy.    

    Mother says romantic notions about kindred souls marrying are foolish. She says partnership and purpose are more important. That, as a countess, I will live a life of true purpose in England, for I will have obligations to my husband’s tenants, a true social responsibility to ennoble my time. She is right, I suppose. But, is it terrible to admit I am not so selfless, that I do not desire that kind of responsibility? I suppose I would get to know the villagers, but the idea is strange and distant. And what if they don’t like me? I am not so easy and charming in public as other women are, not as Mother is. She would be a brilliant countess. I am confident at a piano, but one does not go out among the people hauling behind her an unwieldy musical instrument.

    Oh, how I wish I might audition for the New York Philharmonic. If one were to ask me, what would you do, little Katya, if given your freedom, that would be my answer. How I envy your experience with them. To hear them in concerts is wonderful, but to perform with them on stage…that would be transcendent.

    Perhaps, just finding my own kindred soul would be fulfillment enough, so long as I keep playing piano, even if only for myself. Perhaps he is out there. But, without the right pedigree, Mother will keep him out while she leashes me inside.

    Goodness, this letter is long! I hope I have not taxed your patience, but it is a relief to express these thoughts. I’ve never uttered them to another soul, though they weigh on me daily.

    I am glad you are enjoying your tea and that you think of me. Though it’s a little early, I wish you a merry Christmas. I hope your break between terms will be restful and you can play some piano for yourself, just a little, if your poor wrist allows it.

    Love,

    Katya

    December 9

    Oh, my Katya,

    That doesn’t sound like me, but now, that’s how I wish to address you.

    I was surprised by how much your last letter broke my heart. I understand you must wed within a certain circle, but to make your home so far away… I’m glad the earl is nice enough, but what will the two of you talk about? I loathe the idea of you bound to someone who doesn’t care for the things you love and doesn’t appreciate your gifts.

    I almost cannot believe I am putting this on paper, but—it feels like heresy if you cannot pursue this art.

    Apply to conservatories. You needn’t go far—Oberlin, my alma mater, is deeply respected, and there in the city, The National Conservatory of Music is a fine institution, particularly now under Dvorak.

    Try being honest with your parents. At least, be honest with your father. Your family is one of the richest in America. All your houses and automobiles and sailboats and parties and horses and everything… Your family doesn’t need your marriage for financial gain, only to satisfy your mother’s desire for some social prize that, in my opinion, is just a deceit of the imagination. I would wager it wouldn’t make her happier. Not really.

    And what will it do to you?

    Even a symphony at a university would prove better than this union. We’ve had several women graduates. There’s even a woman, a flautist, who plays in my orchestra. I say all this because, well, I do believe most things are possible.

    Soon, it will be a new year. This is a new time.

    If one were to ask me what I desire for you, my Katya, if you were free, I’d say without hesitation I’d have you in the world’s greatest concert halls, far from your mother.

    At the very least, I’d have you here. Not as my student, for I’d like those days to be done, but as my pianist, in my orchestra, always. Maybe I am selfish, but that would make me happier than, well, most anything.

    Now I’m the one who blushes.

    I’m sorry, my wrist hurts. I cannot continue. Just know, you remain in my thoughts. You’re in my thoughts every day.

    Love,

    Henry 

    *** So glad I have not posted yet because I want to tell you how last night, dear Katya, I laid down to a restless sleep. I swore I heard Chopin, and I crept downstairs at the witch’s hour to sit at my own silent little upright. I ran my fingers along its keys, no doubt smooth as your cheeks, and I felt a light phantom breeze.

    The sylphs you mentioned sprang to mind. Invisible yet always present. Luminous in their abilities. In the old lore, those winged creatures were powerful enough to control the wind, rain, and snow.

    Remember that, my beautiful friend. Remember your power.

    I am not usually a sentimental man, and I marvel at what you do to me. These lines into your private thoughts fascinate me, and there is so much more of you to know. I hope you will let me know all of you.

    January 1st, 1896

    My Henry,

    I will reciprocate in my address, and I find it the tenderest I’ve ever made. Even now, my eyes are filling, I have so much to impart.

    Since your last letter, a great many things have changed, both within me and without.

    Mother found your two letters, and she seethed with such cold, hard rage I thought she would sicken herself. She waited til the men were out, then she entered my room, much to my surprise as I was reading quietly in a chair, and she shut the door. My first reaction was a raw, unfiltered thought—“polished obsidian”—which is how Father refers to her hair, but it is really a reflection of her nature. She pulled out your second note and read aloud several lines, including your postscript. Then, her face deadly pale, eyes boring into mine, she walked over to me, knelt, and gripped my knees. I could smell the sweet scent of her perfume—so much like oleander!—as her fingers hooked into me like claws.

    “You are a stupid child,” she said. “Would you really risk alienating the earl? What if he saw this?” She shook the letter in my face. “Have you truly no sense of what matters? Have I not taught you better than THIS?”

    Her wrath shocked me, and I tried—I tried so hard—to explain how important the piano was, just as you suggested. How it made me feel worthy and alive and like I was achieving something higher and better than myself. How it moved the blood in my veins.

    I must have been eloquent enough because her expression changed. Her eyes widened, and softened, and she had to look away. And I saw her posture, even as she crouched down, that straightest and most gorgeous of spines among all the set. I saw, too, her physical grace which, even then, was unearthly, and I recognized the truth.

    She was no nobleman’s daughter.

    She had been a dancer. I would stake my life on it. She understood my feelings, too. But it didn’t matter.

    Once I finished my pathetic monologue, she struck me. Right across my cheek so hard it felt like she fractured the bone. She’s never touched me like that before, never hit me. No one has. My cheek aches even now as I write this.

    I don’t even believe it was meant to be cruel. I believe she was trying to startle me awake.

    Ignoring my tears, she told me I do not yet have the perspective of a full adult life, so I cannot understand why these other things are more necessary.

    “Art and love cannot nourish one’s body,” she said, “cannot solidify one’s status, cannot create a lasting purpose. You MUST trust me.”

     When I asked her, but why this earl? she added, “Riches in vacuity mean little,” and that I needed the work my position as a countess would require.

    “Is your life so vacuous, Mother?” I asked, even as I braced for another hit. I could not help adding, “You know it’s all derivative, don’t you? That you are simply aping Mrs. Vanderbilt, and everyone can see it!”

    That time, she wanted to hurt me. I saw it in the icy flare of her brown irises. But she restrained herself, and that was the end.

    What I want is of no consequence. I fully understand that now. I am an extension of her, and she always gets what she wants. This, the aristocracy on both sides of the Atlantic, is all she has yet to achieve, and she wants it now more than anything. She will get it through me, for I am just another part of her. It explains my name, doesn’t it? Though legally I am Katherine, she has always said that in her heart, I am her “Ekaterina,” I am her “perfection.” She has referred to me this way for years, and she will make me perfect, in her eyes.

    There, in front of me, she burned your letters and forbade any further correspondence. You must have noticed the new return address on this one. With Molly’s help, I secured a letter box of my own, at a post far from our residence. Mother will not prevent me from communicating with you.

    She also said she and the earl agreed that our engagement should happen soon, and what better day than Valentine’s Day? Mother has a vision: the earl proposing somewhere public enough for the press to see it. Clearly, she has learned from Alva Vanderbilt the power of using the gossip-mongering press to her advantage. She understands that we—she—must control the narrative.

    I am sorry; I will pause my melodrama to say, I hope you had a merry Christmas. I hope it was not too lonely. I am sorry I did not begin my letter this way, for I thought of you every minute on that special day.

    For Christmas here, the earl gave me a green parakeet with a little yellow head. It lives inside an enormous cage gilded with 24 karat gold. It has three different roost bars, large water and food bowls, and even two hanging toys, one that ends in a little brass bell and the other a little mahogany swing. The gift is not original; I have acquaintances with exotic birds of their own. But, this present made me feel deathly cold. When I asked the earl where the bird was hatched, he looked confused and said he imagined it’d been imported from a merchant’s aviary in South America.  

    I hated that bird.

    A few days later, just before Molly helped me dress, I carried its cage to my window. I opened the window and the cage’s door. I’d imagined the bird would fly away immediately, but it sat there stupidly, shocked I suppose by the enormity of its sudden freedom. I waited a full five minutes before I took the bird out and, fighting to remain gentle, tossed it out.

    The bird dropped ever lower toward the ground far beneath us, even as it beat its little wings. It landed motionless on the pavement below, a strange, sad splash of color on the dirty, salted ground before hopping away. Later, no one could find it.

    “That was foolish, Miss,” Molly snapped at me. She saw I didn’t understand what happened, and she said, “Its wings were clipped; it never could fly.”

    How my stomach clenched. When I started to protest, she shushed me. She’s never done that before. She walked right up to me and took hold of my shoulders, staring hard into my eyes, something a servant has never done.

    “Even if it had flown, it would not have lived through the night.” Her voice was harsh, urgent. “It’s a pet, miss. Not a wild creature. It does not know how to survive on its own.”

    My spirit sank, powerless against the gravity of it all.

    “I know you’re unhappy, Miss Katherine,” Molly said, letting my shoulders go. “I am sorry for that, but I don’t understand your feelings. There are situations in life much, much worse than yours.” Her words were bitter before they softened. “Forgive me if I overstep but trust me when I say, it’s true.”

    I sat with Molly’s words that night.

    I sat with Mother’s, too. I found myself reflecting, more deeply than ever, on her life. On the bright, brilliant, and incisive example she has so thoroughly modeled for us all.

    I am changing tack. I have decided to cooperate with the engagement.

    In fact, I will insist the proposal happen outside in the park. Even in winter I do love the beauty of nature, do I not? And I will insist that I make the walk to my future husband alone, for that is more tender, more romantic, and will look more respectful of the feelings that have “developed” between us.

    Mother is not stupid. She will be suspicious, but I will assure her that Molly will chaperone me along the way. If Mother will not acquiesce, I know a way I can make her. And I believe Molly will cooperate. I can get cash from my brother to entice her, but I do not think I will need to. I believe the relentless pity I see in her wide eyes is more powerful than any fear and doubt.

    Now, emboldened by your recent words, I come to the most significant part of this letter. I am taking a deep breath.

    I love you, Henry. I think I always did.

    And I write, plainly, that I hope you love me too.

    I am forming a plan. A possibility for us both.

    Though I am frightened, I feel better than I have in a long while—since I sat beside you on the piano bench and played all those notes that taught me the essence of happiness. Even now, behind my shoulder blades, I feel myself sprouting things powerful and new. I am determined to fly. I am no mere dumb creature.

    We must all face uncertainty, must we not, if we are to take the reins of our lives?

    Even if I remain here to become the Countess of Worcester, I will still face shadows in all the tomorrows to come. Is that not true? I am young, I realize, and inexperienced, but common sense tells me this is so, plainly enough. Few things are ever truly assured, so why oughtn’t I to embrace the inevitable uncertainty and fly toward what I know will make me happier?

    In truth, if you love me too, I do not think I will encounter much uncertainty at all. Love, when it is trustworthy and true, is the strongest bond and greatest protection.

    Write as soon as you can, and do not hesitate to be frank. Even if you do not love me, I would still like to play in your symphony. I have items I can sell in Athens to support myself until I can earn wages of my own, if necessary.

    With all my love,

    Your Katya

    Only yours.      

    To be completed tomorrow, February 14th.

    Read Part III: One Year Later here.

         

                                        

    Waltz 7 in C Sharp Minor by Frederic Chopin, the piece Katya describes playing in her second letter

  • FLIGHT: A Novelette (Part I)

    Happy Valentine’s Week! I thought I’d try something new and post a piece of historical fiction for anyone to enjoy.

    I wrote this novelette last year. Though I’m a better writer now, I still think it’s the most emotionally satisfying thing I’ve ever written, and I thought it would be fun to share it with you.

    Below, you’ll find Part I: A Valentine’s Spectacle in Central Park.

    I will post Part II tomorrow and Part III on Friday.

    I hope you enjoy it!

    Image from Canva

    February 14, 1896

    New York City

    Archibald Percy’s toes had been cut off. At least, that’s how it felt. He glanced down at his fine leather boots, which he’d thought thick enough to withstand the inch of snow. Now, they were damp and paper thin, and his feet were freezing. He wiggled his fingers inside his fashionable, flimsy gloves; they were burning too. Percy, Earl of Worcester, from the oldest, noblest family in northern England—not at all a warm place—ought to have known better. But, he did not think he’d be here in Central Park for quite so long, awaiting Miss Katherine Williams’s arrival.

    The minutes ticking by carved an ever-deeper pit in Percy’s stomach. He peered up at the high ceiling of thin, gray clouds, behind which hung a wafer of weak sun, then over at the nearest copse of skeletal trees. Behind them, brick, stone, and steel buildings rose in the distance like silent, stoic giants.

    At the forefront of this scene stood a group of newspapermen, the serious and sensational among them. They represented everything from The New York Herald to the yellower New York World and Journal and, of course, Town Topics. These fellows shuffled back and forth in their long coats, scarves, and bowler hats, rubbing gloved hands together and bouncing on the balls of their feet. Percy couldn’t see or hear them well, but he noticed their hunched shoulders and imagined their creased brows and heavy sighs. This was taking longer than any of them had expected.

    They were already approaching the ridiculous, and if the delay stretched any further, the reporters’ postures would change. They’d lift their shoulders to scan the entire park more carefully. Eager, then ravenous, to record any humiliation, any scandal on this grand scale. Percy had learned this well in his short time in America. 

    He looked at his valet. “What time is it, Carter?”

    The manservant released one hand from the object he held to check his pocket watch. “Twelve seventeen, sir.”

    The servant’s breath steamed. He shivered, his cheeks and nose a raw shade of salmon. Still, ever dutiful, he held the ornate, rectangular valentine Percy had commissioned from Paris, ready to present it to Miss Williams upon his master’s signal, if the lady ever appeared.

    The valentine was a true work of art, its palette edged with Hallette lace and featuring a Bouguereau painting impressive in its detailing of warm-hued roses and two love birds. In the picture, the birds, delicate and pristine, flew toward each other against the backdrop of a lovely rendition of Ivers Hall, Percy’s family seat. But Percy hardly cared what was on the thing. It was just another pretty item specially ordered, another object necessary in his plan to acquire the Williams family wealth his family needed if they were to revitalize their struggling estate.

    He was aware, however, of the little door on which the birds were painted, the most special feature of this valentine. It had a dainty golden clasp that, when opened, revealed a silk-laden compartment in which sat a box from Garrard’s in London. Within this box, nestled in a dark, plush cushion, was an exquisite engagement gift, a solitaire ring set with a large ruby from the Percy family stones, one of their few jewels left. 

    That ring was the culmination of weeks of strategic courtship, and it meant everything to Percy. It was his key to a better future.

    But Miss Williams had to cooperate.

    She was supposed to be there at noon. That was their agreement for this show. They would meet in Central Park, and Percy would present his gift as he asked for her hand in marriage. Miss Williams would accept the ring, their engagement would be official—public—and they’d proceed into the golden, impressive coach that looked not unlike Queen Victoria’s, with its intricate scrollwork on the outside and bloodred cushions and curtains within. But only after Miss Williams also took the overflowing bouquet of roses and snowdrops from the liveried coachman and the box of Swiss chocolates from the postilion. From there, pulled by four Lipizzaner horses, they would parade about the park enjoying the warmth of the interior, admired by the reporters invited personally by Mrs. Williams’s secretary and the few strolling spectators brave enough to bear the temperature, a mere five degrees Fahrenheit.

    Finally, Percy and Katherine would venture up Fifth Avenue to the Van Dusens’, who were throwing an engagement luncheon in their honor.  It would all be a glorious, romantic scene, a true contender among the greatest beauties and luxuries of their class. Fully witnessed by the press, the entire show would grandly announce to the world that one of the wealthy and powerful Williamses of New York was about to ascend into the British aristocracy. Old World prestige and New World money, a partnership that had yet to grow dull among those with the status to participate.

    That was the production, rehearsed in countless preliminary chatter. The script upon which they were all to act.

    Just yards away, the coach and two liveried staff stood still, a ridiculous juxtaposition against the bleak cityscape. The four dappled grays were nearly motionless too, their red-plumed heads hung as low as their reins would allow. One shifted its weight from one hoof to another, its muzzle smoking in the cold.

    Under his thin coat and Homburg hat, Percy had grown hot enough to perspire.

    “Carter,” he said again, his voice as low as possible. “Get a message back to Mischa. She needs to know what’s happening. Note the time. And that her daughter is not here.”

    “Certainly, my lord.” Carter’s voice was quieter even than his master’s. With an impressive casualness, and still holding the valentine, the valet turned and crunched up the snowy path, back toward the motorcar hidden from view.  

    Percy couldn’t help but make eye contact with the press. They were standing straighter now, stiller, focused on him. Their soft murmur had ceased, and the snowy expanse separating him from their assemblage lay vast and fraught.  

    Percy’s mind spun. Regardless of Mischa Williams’s actual response, he ran through all the things he might say as soon as he’d received her reply. The young lady’s carriage had a broken axle, there was a problem with her day dress, she’d been kept back by a sudden family emergency. None of these seemed convincing. All such problems were easily solved or brushed aside in the context of such a momentous day. They might also suggest to the audience that he, Percy, was not as important as he seemed. That he was simply a pawn to be treated as the Williamses’ whims dictated. Perhaps…

    “She’s sick,” he said to himself. Yes, that was it. Miss Williams was sick with a sudden headache, or a fainting spell due to all the excitement.

    But, in truth, oh God… what if Katherine’s absence meant she was refusing him?

    Unbidden, Percy’s thoughts flew back to his home on those rough, cold meadows of northern England, where he envisioned his crumbling manor house, his struggling tenants, the terrible condition of many buildings in the village. The poor attendance at the parish church—the villagers did not care for their rector, old and bitter as he was. The repairs needed on a local bridge. The struggling crops…

    But there was also the agricultural specialist from Oxford who might advise the farmers on all the latest techniques. And, the elite accountant who could replace Percy’s steward, for he needed truly expert advice to bridge the gaps his classical education had left in his understanding of modern finances.

    To complicate matters, the Prince of Wales had a taste for opulence and encouraged it among his courtiers; it didn’t seem likely one could gain much influence at court without it.

    Percy had to turn everything around.

    One more generation of degeneration, and there would be no saving his line. Or, more importantly, the village that relied on it. He understood, better than his parents or grandparents ever had, how it was his responsibility to take it all upon his shoulders, to lift them all back up.

    But he was no Atlas. He needed help.  

    Help meant money. Money he could not make on his own, not in his current situation.           

    Katherine Williams had to marry him. He needed her million-dollar dowry.

    Though his chest was tight, he could not dwell on the entire wretched context, not right now. This moment, here and now in this bloody freezing park, was most important. He had to save face right now. That meant, first, buying them all more time.

    Don’t get distracted.

    He drew a long, silent, invisible breath.

    Much as you detest it, you know what you ought to do.

    Swallowing, he made his long, numb-footed way over to the reporters. Mustering all the wry English charm he could, he began chatting with them, reassuring them as the inevitable questions came.

    “Where is Miss Williams, Earl Percy?”

    “Is she still coming?”

    “Is everything alright, Lord Worcester?”

    “Has Mrs. Williams withdrawn her support?”

    “Might an engagement not take place today, after all?”

    The Americans fired one question after another, like darts in a marvelous and terrible game. God, their nasally, rhotic accent made it all the more deplorable, and Percy fought to mask the stings.

    “Everything is fine, my good sirs!” He spoke in his most plucky, proper English voice, wielding it like a weapon. “Miss Williams will be along shortly. You know how ladies get.”  

    He got a few of them chuckling about the delights of haggis and plum pudding, which he insisted New Yorkers would love if they would only try it while abroad.

    “And I’m no Scotsman, so you know I’m objective. Perhaps…” he chuckled, scrambling, “Perhaps, if Miss Williams has changed her mind—God forbid—” He placed his hands theatrically over his chest. “I shall recruit the most talented Highland chef and bring these old Scottish delights to your great new city! An interesting enterprise that would be, would it not?”

    If only that were an option.

    The questions grew more trying.

    “What about claims that marriages between American heiresses and noblemen like yourself are unpatriotic?” someone asked.

    “Being a foreigner, I suppose I’m in no position to respond,” he replied. “It is not really my argument to consider, now is it?”

    “Are you a fortune hunter, Earl Worcester?”

    “Now then, there are many assumptions in that question. I have developed a warm relationship with Miss Williams over the last few months, and I certainly hold her family in the highest esteem…”

    “Would you care to comment on your personal finances, my lord? Rumor has it they’re lacking.”

    His cheeks aching, Percy gritted his teeth against the increasingly invasive interrogation that dragged on and on.

    “Ole’ Mischa Williams have your valuable part between her teeth, Lord Percy?”

    The question came from a heckler at the very back.

    A searing wave of heat struck Percy. Did he hear that correctly?

    Aside from quick, half-hidden grins and the turning of a few heads, no one responded. Why was no one appalled?

    His ears and neck pounded.

    Was this what they all thought of him? Would they publish some unthinkable caricature?

    Was he losing his damn mind?

    “Your title?” came the same voice. “She eager to sink her pearly sharps into that?”

    Be calm. Nonchalant. Don’t give them anything else. Remember who you’re trying to be.

    With a steel composure that shocked even him, Percy ignored the barb and continued answering the more reasonable questions from the front.

    Finally…

    Carter reappeared. It was 12:53 pm. The longest hour in the history of all mankind’s miserable existence.

    The valet joined the earl where he stood with the journalists, and Percy took the note Carter handed him with a smooth, “My lord.”

    Focusing through his dizziness, Percy read it, feeling so much like an actor on a stage. How right Shakespeare had been.

    We will find her. Go to luncheon. Tell all she will be along soon, there is no news yet re. engagement but soon. Likely to be announced there. Leave rest to me.

    It was from Katherine’s mother, Miranda Williams. Or Mischa, as Percy had grown used to calling her. Her more formal, self-chosen American name felt wrong to those in her inner circle, which now included the earl. “Mischa” was much more fitting for this commanding woman, regal as she was.

    In truth, she turned his stomach.

    Percy took another deep breath. “Gentlemen.” His voice was sharp. He waved the note at them. “I must along to the Van Dusen residence now, where I am to meet Miss Williams. And enjoy the comfort of a hot toddy, I might add.”

    More chuckles.

    “It seems,” he continued, sweeping his eyes around the park, “this frigid weather has made the lady change her mind about the romantic beauty of the great outdoors.”

    Heartier laughter came from some of the lazier reporters. Others were already scribbling on their notepads.

    “Good day.” Percy nodded to them all, signaling the end of their little press conference.

    The newsmen dispersed, muttering together in a mix of tones.

    Relieved at last of that particular burden, the Earl of Worcester promptly followed his directions from Mrs. Miranda “Mischa” Williams. Chauffeured out of the park in his open-air motorcar, he basked in temporary relief even as he began again to shiver. He dusted off the lingering nerves, however, like only so much February snow.

    “Mischa’s extraordinarily capable,” he said to Carter, who nodded blankly as he steered the tiller of Percy’s new Duryea Motor Wagon, a gift from Mischa. It was always comforting speaking to Carter, who rarely said a word in return, of course. It was like talking to a blander, more tranquil version of himself, one that couldn’t argue back. “She’ll handle this.”

    There was no way Mischa Williams would let her daughter refuse him. Mischa believed she needed Percy’s title as badly as he knew he needed her money.

    “She’s far more powerful than her thin little bird of a daughter,” Percy added.

    Wasn’t she?

    Suddenly, Percy’s entire body felt terribly, achingly heavy. Fatigue dragged at his eyelids. If only he could excuse himself once he was at the Van Dusens’. Escape upstairs to a guest suite, close out the watery sun behind thick curtains. Lie down under a hefty blanket. Black out to everything.

    He turned his thoughts instead to Kentucky bourbon, the best thing about America. No doubt a generous pour of that magnificent stuff awaited him in the Old New York parlor. He was growing quite attached to it. That first sip, always the best, would heat his frail English frame from the inside out, and once again he’d believe everything would be alright.

    In that moment, Percy did not dream—nor did anyone else—that Katherine Millicent Williams, great American heiress of this Gilded Age, would never be seen again.

    That, despite her mother rising from her luxurious bed, where she’d fallen acutely ill the night before, to retake the helm, despite her father’s greatest efforts, and later a lawyer’s, a private detective’s, and, finally, at long last, the New York City Police Department’s—little Katya Williams would never be found.

    To be continued tomorrow, February 13th.

    Read Part II: Secret Correspondence here.

  • Writing Not To Publish, But To Grow

    Last week, after we were all healthy again, I finished the zero draft of my first novel! Woo-hoo!

    If you’re not familiar with that term, a zero draft is an initial, usually unpolished version of a story, where the main focus is just getting the narrative written down.

    Finally!

    That felt great–I finally held myself accountable to this significant goal! I’ve blogged about it several times, and now I’ve taken that huge step. Yep, it feels ginormous! And I’m better for having done it.

    Typing this felt so good

    To finally make it happen, I expanded my 30k psychological horror-romance novella rather than finish my sprawling, multiple POV, already-110k historical manuscript, which just bulldozed right over little ole’ newbie me. Pivoting to the novella was more manageable and made for a more decent zero draft.

    However, while I’m fond of certain parts, I don’t love this story.

    Something wicked this way comes

    Even now that I’ve expanded it, much of the narrative–the atmosphere, worldbuilding, antagonist, climax, even the romance–feels like it’s not enough. The bones are all there: a protagonist with a clear goal who realizes she needs something else, an internal arc shaped by the external plot that builds toward a single, climactic turning point, a romantic subplot supporting the main narrative well. But, those bones are brittle. A little osteoporotic, perhaps.

    What’s behind that wall?

    Even if a developmental editor took this on as a charitable project, and I had endless support, I believe it would only ever be mediocre. It just doesn’t feel inherently special. It’s not The One. Or, I’m not yet capable of doing it justice.

    That’s ok.

    I stuck with this project because pushing myself to develop something longform felt necessary. I need to work on elaboration and endurance, and this was an important exercise for that.

    Stacy and Declan

    While I will probably never publish this novel, I do have a plan to edit it myself because that seems like the best way to learn from it.

    Here’s my plan:

    1. Spend at least one month away from it.
    2. Read a printed copy straight through (like a reader, not the writer), making only the briefest, barest marginal notes when problems and deficiencies scream at me from the page.
    3. Write my own editorial letter.
    4. Complete another round of deep structure revisions, addressing the issues laid out in my letter? (Or wait?)
    5. Spend more time away from it–maybe a week? Longer?
    6. Print another copy, then begin guided annotations:
      • Scene analysis= color code the elements in each scene (conflict, choice, consequence). If it should be a scene and only reads like a beat, what’s missing? Do scenes link smoothly in a clear cause-effect chain?
      • Character notes=what’s s/he like? What does s/he want? Annotations will gradually shift to what does s/he need? How is s/he changing? Annotate discrepancies and needed revisions for arc development and consistency
      • Plot notes= Are genre conventions/expectations met? How is the story pyramid unfolding? Where are the plot holes? (using a checklist)
      • World building notes=Where are more details needed? What additional research do I need to complete? What should be clarified?
    7. Sum up each scene on a notecard, including where themes are established/developed/finalized; lay cards out to see how the novel unfolds. Consider if anything is missing, or if anything can be cut to tighten plot/pacing.
    8. Use all of this–editorial letter, annotations, and notecards–to complete another round of developmental edits.

    This plan is based on suggestions from two authors on Substack–Jodi Meadows, whose two-part article “How to Edit Your Own Book” was impressively thorough, and Jessica Payne, whose article “How to Tighten Your Plot and Fix Pacing Issues with Scene Cards” also proved thoughtful and potentially beneficial.

    This plan is hypothetical, of course. I might skip steps 4 and 5 and go straight to 6. I might also start this process and realize some of it is redundant. After all, these elements work together, so it might be that I’m addressing a problem with plot even as I’m noting revisions to character arc, for example. That’s fine. If I pare this process down, that will only make it more efficient.

    The hearth was the soul of the home, according to Puritan lore

    It might also be too much. I might find that I can’t look at all these things–scene structure, character, plot, world–altogether as I move through the chapters. If that’s the case, I’ll stick to a single element all the way through the novel, as a writer friend advised.

    I’m also starting an eight week course, The Story Beneath the Story, this Saturday. It’s all about techniques for developing implicit emotional connections with readers, and of course, I will apply these techniques to my revisions as well. I’m stoked about this class with speculative fiction author Erin Swann because I’ve struggled to balance show versus tell and implication versus explication. I’ve always been uncertain about how much I should trust my readers to make meaning on their own (though I understand that’s tied to genre and audience), so I’m hoping to get a lot of guidance and clarification in this course.

    Finally, I’ve ordered the craft book The Story Grid: What Good Editors Know by Shawn Coyne. I keep hearing how excellent it is, and it sounds perfect for developmental edits. So, I’ll factor that into my revisions as well.

    Photo from amazon.com

    We’ll see how it all goes!

    The Family Tree by C Robert Perrin, a painting of the oldest house (in the saltbox style) on Nantucket. This image is the inspiration for the old house in my novel

    For now, here’s the elevator pitch for Saltbox, my first novel (which I’m only sharing to practice writing a pitch):

    Stacy Ryan, a young woman eager to prove her competence and independence, uproots her life after purchasing, sight unseen, a 300-year-old saltbox house on the coast of Massachusetts. But when strange, then terrifying, things begin to happen, leaving no trace of evidence behind, and she learns the myth–or truth?–of the old house’s history, she must decide how far she is willing to go to take control of her new life. What, or whom, is she willing to fight for, and to what extent does she believe in herself?

    Friends, I’d love to hear your thoughts about any of this.

    Until next week, take care!

    Oh, and speaking of next week, I plan to share something special, just in time for Valentine’s Day!

    XOXO,

    Jenn

  • Norovirus: The Latest Note in the Medical Blues

    On a Thursday night two weeks ago, I’d just helped Daphne, our daughter, take a shower. She was wrapped in her soft pink towel; we’d brushed her teeth and hair. I was about to slip her nightgown over her head when she pushed my arm away and plopped down on the toilet.

    “Okay, I’ll give you some privacy,” I said.

    She sat and sat, and I waited and waited on the other side of the bathroom door, growing alarmed. This was weird.

    I peeked my head back in. “You okay, Daph?”

    She shot her arm up in her sign for yes, but she didn’t look alright. She was slouched over, like she didn’t feel well, but nothing seemed to be happening.

    Finally, after ten minutes, I went back in and prompted her to stand up.

    “C’mon, let’s get you dressed.”

    But before I could take the towel off her, she pushed my arm away and leaned over, deathly pale, making that tell-tale wretch deep in her throat just as her body heaved.

    “Are you o–“

    Out came her entire dinner, all over the tile floor–shiny yellow and orange globs of half-digested chicken nugget, floating in cloudy pools of fluid. All of it smelled like sour milk.

    “Oh God, oh God.”

    It’s really all a parent can say in that moment.

    My husband heard my lament and dashed in, only to turn pale himself at the smell. Threatening to heave too, he disappeared.

    I gazed down at the sea of sickness on the floor.

    Daph looked like she was feeling better, so, grinding my teeth, I allowed some momentary bitterness to wash over me.

    I’d be the one cleaning all this up.

    “That damn Carmex made her sick!” I yelled at my absent husband.

    Image from amazon.com

    I’d found Daphne earlier in the evening with the application end of a small Carmex tube in her mouth, looking like she’d just swallowed a sample. Jer contacted Poison Control and according to them, it should be fine, no need for an ER visit but she might feel ill.

    So there it was.

    I got all the vomit cleaned up–forgoing a writing sprint I’d looked forward to in a virtual writing retreat happening that week– and Daphne up to bed. I took a giant mixing bowl and clean towel with us, which in fact we did need. Daphne threw up four more times that night, roughly once an hour until her poor stomach finally calmed down and she was able to sleep. I spent the night next to her, guiding her toward the bowl, keeping her hair back, and wiping her mouth.

    Fun times.

    I consoled myself with the belief that, by morning, she should be fine.

    That morning, though, she was running a mild fever and acting lethargic. I began to suspect we were dealing with something else.

    “I don’t think it was the Carmex,” said Jer.

    “Yeah,” I said. “I think she’s actually sick.”

    At that point my stomach clenched with an old, familiar fear.

    Winter here is beautiful, but it’s definitely cold and flu season

    Yep, it turned out Daphne had a stomach virus. Probably the norovirus making its brutal rounds through her school, from one poor child to another.

    “It’s so bad, people are pooing themselves,” her aid had warned me.

    Oh Jeez.

    Luckily, Daph didn’t throw up again that day, and she drank plenty of water and was able to eat a little bit the next day. By that time, her fever was gone and she was on the mend, though she needed a lot of rest.

    Daphne eating again after a particularly bad illness a few years ago

    Ordinarily, this wouldn’t be a huge deal. Kids get sick; it happens. Thankfully, this was only a 24 hour bug, so we got off easily this time.

    But the catch here is, Daphne is nonspeaking. That means, she can’t tell us what exactly hurts, or how exactly she’s feeling. We can only know by her behavior and body language, and even that sometimes is deceiving because of her sensory processing disorder; I don’t think she always processes or recognizes pain in the same ways we do. For example, the entire time she was down with norovirus, she never curled up and clutched her stomach, the way I did when I came down with it myself two days later. I wouldn’t have known it was her stomach bothering her if she hadn’t thrown up.

    An ER trip a couple years ago for a long, nasty virus. Scary, but the staff were gentle and it turned out not to be urgent

    This makes caring for an ill or injured child especially challenging. Even basic medical care is hard–Daphne won’t let the pediatrician look in her ears or down her throat during her yearly checkups. We can’t check her eyesight, and she’s never had a professional teeth cleaning. We all just have to go on the little glimpses we get and gauge her behavior long-term for any indications of illness or dysfunction.

    It worries me constantly.

    I have this terrible fear that something will be deeply, fundamentally wrong, and we won’t know about it, or we’ll realize it too late, or that the care we’ll have to force on Daphne at the ER or in a hospital will be traumatic–that she’ll have to be sedated with something like ketamine (suggested to us once by an Urgent Care nurse) and won’t understand and will fight us tooth and nail. I detest the thought of it. It makes me ill with worry, especially when she gets sick and we don’t know how long she’ll be down with a fever, or how bad her pain will get.

    When she’s sick, I have to force myself to take calming breaths in order to control my anxiety. I know that seems ridiculous, but I am terrified of any medical trauma Daph might have to endure.

    Scared to death in the ER

    I wrote at length about this issue in a post last summer, so I won’t go on and on about it here, but suffice it to say, it’s a fear that still haunts me.

    Our norovirus episode underscored that.

    We are certainly not alone in this challenge.

    I follow another autism family on Instagram. Their account is called Evie the Explorer, and Evie is Daphne’s age and also nonspeaking. Lately, her behavior has changed dramatically–she’s become more aggressive and resistant. She’s refusing to go to school. Her mother shared that everything about her daughter’s behavior “screams WRONG WRONG WRONG,” but they don’t know what’s going on. Her family and school team have prepared a list of behavior changes and other data to present to the ER staff when Evie goes in soon for treatment. It sounds like most of her team is going to the hospital because Evie’s mother is afraid the doctors won’t believe her that something is wrong with her child. She needs an entire group who know her daughter well to argue for Evie’s welfare.

    Her mother anticipates all kinds of tests for Evie but is determined to get to the bottom of the issue. She’s speculating that the problem could be gastrointestinal, or dental perhaps from an impacted molar, or headaches from eyestrain or migraines, etc.

    All of this sounds familiar. I’ve had all these same concerns about Daphne myself.

    All better now

    This family is facing exactly what I dread we will face, some day.

    My heart goes out to them.

    On that note, I hope you and yours are well, and no one close to you has battled any serious illness during this cold and flu season.

    Best wishes, and see you next week.

    XOXO,

    Jenn

  • Book Review: THESE DARK THINGS

    Hi! Norovirus ravaged our household this weekend, and now I’m behind on everything, so I’m keeping this post short.

    Recently, I came across Briar Press New York, a “boutique publishing house devoted to the Gothic.” They looked fantastic, so I eagerly downloaded their anthology These Dark Things: Twelve New Gothic Tales.

    I loved it. As its subtitle suggests, this upmarket collection broadens the definition of what a gothic story can be. Yes, there are deliciously chilling stories set in the more traditional places—an old graveyard in Dublin, a crumbling manor house in the English countryside—but there are also tales that take place in New Orleans, in Appalachia, and even in Texas’s Big Bend National Park.

    The range of topics is modern, interesting, and satisfying too—ghosts figure for sure, but so do murderous wives and mothers, unsettling scarecrows, animate statues, and cursed people with disfigurements and strange bodily developments. Everything from body horror to domestic, racial, and transgender violence is explored, and all in language that is carefully crafted and quite literary. These authors are skilled, and the ones who aren’t as established are certainly promising.

    Three stories resonated especially with me: “Appalachian Gothic” by Felicia Burgett, “Smoke and Mirrors” by Emily Amber Faust, and “Her Loving Touch” by C.R. Camarillo.

    “Appalachian Gothic”

    Image created in Microsoft Designer (not published in These Dark Things)

    After his father’s passing, a young man decides to remain in the small Appalachian town where his dad spent his final years. The protagonist manages the Dollar General and is fine with most everything except the strange smelling water (tainted from the paper factory) and the scarecrows. They’re only out once a year–the town’s fall decor–but there’s something disturbing about these scarecrows. They’re certainly no tourist attraction. When the protagonist inquires obsessively about them, the locals either brush him off or tell him to shut his mouth and mind his own business. After a fit of rage leads him to destroy one of the scarecrows, the protagonist learns a violent and terrifying lesson about the importance of accepting local traditions.

    I loved Burgett’s specificity, uniqueness of detail, and haunting ambiguity, all of which made her story feel original and fresh even as it uses the “scary locals” trope.

    “Smoke and Mirrors”

    Image created in Microsoft Designer (not published in These Dark Things)

    A divorced mother struggles first with her ex-husband’s threats to take full custody of their daughters, then with his own unspeakable treatment of their children. When she turns to the family courts for help, even that is difficult; justice proves nearly elusive. Ultimately, these awful circumstances force the protagonist to realize she must deal with all the darkness in her life alone, even as she tries to teach her daughters how to be resilient.

    The moments of gothic imagery and lyricism in Faust’s story create an effective and powerful antithesis to the realistic, heartbreaking details of abuse and a broken justice system. The gaslighting and disorientation the main character suffers from also reminded me a bit of “The Yellow Wallpaper” by Charlotte Perkins Gilman, itself a classic of short gothic prose.   

    “Her Loving Touch”

    Image created in Microsoft Designer (not published in These Dark Things)

    Vico is a promising business student who works as a summer packer at his uncle’s packing station in Big Bend National Park. One day, a suave, wealthy, older man appears and bribes Vico into taking a load of his gear up to a remote campsite on Vico’s day off. Despite his misgivings, Vico relents, and on the difficult journey up, he discovers something gruesome in the rich man’s bags. This leads the wealthy man, Augusto Aguilar, to tell Vico a sentimental story about a wish of his dear wife’s. Little does Vico know, this is the beginning of a longer, stranger, and more morally perilous journey than he can imagine.

    Camarillo’s smooth, minimal, yet evocative style creates an intriguing take on the old “deal with the devil” archetype, and I was impressed at the way the author continually develops his characters, subverting my expectations all the way to the end, which is tough to do in short fiction.

    In short, I recommend this entire collection to anyone who enjoys quiet or psychological horror written in beautiful, atmospheric language. I was sorry when I reached the end, and I’m excited to read more titles from Briar Press New York. Next on my list is their Ghostly Kiss: Millsborough Sisters No. 1. .         

    Photo from briarpressny.com/books

    Do you enjoy gothic stories or movies? Do you have any recommendations?

    XOXO,

    Jenn